Tuesday, July 31, 2012
Annoyance Theatre, the company that since the late 1980’s has brought Chicago audiences such hits as “Co-Ed Prison Sluts,” “The Real Live Brady Bunch,” “Swear Jar,” “Messing with a Friend” and this year is producing “Steamwerkz-The Musical,” “The Holy F*ck Comedy Hour,” and nearly a dozen more edgy and irreverent shows, is celebrating its 25th year.
In honor of the landmark occasion, Annoyance family from past and present are gathering and having a grand party. Annoyance’s founder and artistic director Mick Napier said, “Fans of the shows -- no matter the era -- are invited to join us. The entertainment will include actors and scenes from our classic and current line-up and it will be a great, fun night for everyone.”
Festivities are set for Saturday, August 18 at the Park West, 322 W. Armitage Ave., Chicago, according to Annoyance’s executive producer Jennifer Estlin. “Doors open at 7 p.m. for a cash bar, reminiscing and visiting," she added.
Show time is 8:30 p.m. Tickets are $25 each and available to those 18 years and older and can be purchased at Jam Productions.
For more information about the Annoyance, check out its website, theannoyance.com
or call 773.561.HONK (4665). The Annoyance is located at 4830 N. Broadway, in Chicago’s Uptown neighborhood.
We’re proud to announce that prize-winning author, Racelle Rosett, has been added to our client roster. Rosett, the winner of both the Moment Magazine-Karma Foundation Prize for Jewish Short Fiction and the Lilith Fiction Prize, will be in Chicago in October during her 2012 book tour. We’re excited about the opportunity to bring to area readers “the sly, deft stories of Racelle Rosett,” as described by the Association of Jewish Libraries.
“Moving Waters” introduces us to a television producer who moonlights as a cantor, an actress who leaves her husband for their nanny and enters a mikvah to mark the transition, and a young widow who gets her hair colored to prepare for the unveiling of her husband’s gravestone.
In their portrayal of Rosett’s debut collection, The Jewish Book Council describes “Moving Waters” as an “exploration of the unexpected role of ancient ritual as it informs the lives of members of a Reform Jewish community in Hollywood. Guided by the compassionate leadership of Rabbi Beth, members of the young female rabbi’s congregation discover themselves, their connection to each other and to God. Set against the landscape of contemporary Los Angeles, Rosett’s stories help us to know these characters whose losses and struggles are deeply felt in each story, revealing the importance of faith in a seemingly faithless place.”
Rosett’s work has appeared in “Tikkun,” “Ploughshares,” the “New Vilna Review,” “Jewish Fiction,” the “Santa Monica Review,” and “Zeek.” As a television writer, Rosett won the WGA award for “thirtysomething.” She lives in Los Angeles with her husband and two sons.
Directors of synagogues, women's organizations, book groups, and ethnic study programs, who are interested in receiving a review copy of “Moving Waters,” are encouraged to contact firstname.lastname@example.org. Meanwhile, story samples are available at racellerosett.com.
Wednesday, July 25, 2012
Wilmette Village News
Wilmette couple gets funnier with age
Taubenecks keep things fresh with improv training
by Alan P. Henry
July 13, 2012
Anne (bottom row, far left) and Greg Taubeneck (top row, second from right) gather with fellow students of an intensive class at Annoyance Theatre out of Chicago. photo:Photos Submitted.
Retirees Anne and Greg Taubeneck simply won't act their age. Moreover, annoyance has become their favorite mode of expression.
While many other seniors are engaged in civilized pursuits like golf and tennis and bridge, this Wilmette couple has liberated itself from dignity and joined students decades younger to learn and practice the art of improv at the Annoyance Theatre in Chicago.
"We are the old people there, but that doesn't matter," said Anne, 65, who was a freelance writer for many years for the Chicago Sun-Times and Chicago Tribune, specializing in coverage of food, arts and travel.
"One of the bad things about getting old is the thought that 'Oh no, I am old. I have to behave in a certain way.' Well, no you don't," she said. "This is an environment where you don't have to act your age. It is age blind, gender blind, color blind. You can be a little kid or a teenager or a different gender. That is kind of cool."
Her husband has a similar take.
"You spend your life writing stuff, which means you are always looking at it and second guessing it and worrying about it," said Greg, 69, who worked for Leo Burnett for 32 years and retired in 2005 as executive creative director.
Among many career accomplishments, he co-created the Rhapsody in Blue United Airlines campaign in the 1980s.
"With improv you are making it up as you go along," Greg said. "There is no looking back. It is over once you do it. There is something very freeing and crazy about making everything up as you go along."
The road to crazy has been a long one for the Taubenecks, who have been married for 43 years, have lived in Wilmette since 1978 and have two children, 23 and 33, both living in New York City.
They met while performing in a University of Illinois student production of "A Funny Thing Happened On The Way to the Forum." After a 30-plus year hiatus, they began performing in charity shows for the Evanston Women's Club.
That led to meeting improv star Susan Messing, who was a performer on the Second City main stage and now teaches and performs at the Annoyance Theatre.
Anne and Greg got their improv feet wet with a group called "Mouth to Mouth" that primarily met at people's homes, then took classes at Second City.
They also read "Improvise," by Mick Napier, improv legend and the founder nearly 25 years ago of the Annoyance Theatre.
Last September, Anne and Greg enrolled in an intensive, one-week class at Annoyance taught by "an All-Star lineup" that included Napier and Messing.
"We had a great time and thought, 'Let's take the curriculum,'" said Anne.
They have been enrolling in one-night-a-week eight week sessions ever since.
"The Annoyance way of looking at improv is to be very character or emotion based," she said. "You have a real strong emotion in mind, and you can basically say anything and you should be able to get a scene going."
Anne recalled, for example, her improv as a Viking named Demetri, who confesses while on the open sea to motion sickness and asks a fellow Viking for a Tums.
Greg particularly enjoyed playing a high school football player who at halftime is seeking advice from his coach. The only problem: The coach is a flamboyant drama coach. Absurd events follow.
"You never know what you are going to get," laughed Greg.
"You have to use your brain. It is an active pursuit, not a passive pursuit," Anne said. "You have to really be engaged and pay attention."
You have to also want to cast aside convention, both agreed.
"Your whole adult life when you are working or you are a parent, you are trying to be a grownup and do things the way you are supposed to do them, and you try to be responsible," Anne said. "Improv is the opposite of that. You throw all that out the window. You can be haughty or angry or flirty or anything you want to be. You can be totally improper. It is very liberating."